Color Music - a light assistant for musical compositions
Color and music (light and music) settings are created for simultaneous playback of musical composition and lighting effects. The light effect on the listener may not be synchronous with respect…

Continue reading →

Suite
Suite (from the French Suite - “row”, “sequence”) - a cyclical musical form, consisting of several independent contrasting parts, united by a common concept. It is a multi-part cycle consisting…

Continue reading →

Color Music - a light assistant for musical compositions
Color and music (light and music) settings are created for simultaneous playback of musical composition and lighting effects. The light effect on the listener may not be synchronous with respect…

Continue reading →

binaural

French horn

French horn (from German Waldhorn – “forest horn”, Italian corno, English french horn, French cor) – a brass wind musical instrument of a bass-tenor register. It came from a hunting signal horn; it entered the orchestra in the middle of the 17th century. Until the 1830s, like other copper instruments, it had no valves and was a natural instrument with a limited sound scale.

Among its closest neighbors, brass instruments, the horn stands out for its particularly melodious, velvety and warm timbre, and its thoughtfully lyrical sound. Its distant predecessor was a hunting horn, as evidenced by the name itself: translated from German “horn” means “forest horn”.

Hence the first impression of the sound of the horn is associated with the listener with unlimited distances, nature, forests and fields. Continue reading

Interference

Interference is the phenomenon of amplification of oscillations at some points in space and weakening of oscillations at other points as a result of the superposition of two or more waves arriving at these points. Wave interference is possible if the phase difference of the waves is constant in time, i.e., the waves are coherent. Wave interference is valid for waves of any nature and frequency.

When recording from several microphones, it is necessary to take care of their phasing: the signals from the microphones should not fall into the recording path in the opposite phase, since this can lead to their mutual compensation up to the complete disappearance. Without noticeable distortion of the timbre caused by interference of direct and reflected signals, the microphone can be brought closer to any reflecting surface at a distance of at least 1-1.5 m. Continue reading

MIDI for the professional

Sophisticated musicians pay attention not only to quality, but also convenience and comfort, as well as compliance with real instruments: full dimension, hammer keyboard. Perhaps they are concerned not so much with additional functions, but with the keyboard as a musical instrument.

That is why such users prefer to buy large keyboards, sometimes which do not have such a wide range of additional functions, like the Axiom models.

The professional keyboard for musicians is the Keystation Pro 88. Unlike the Axiom models, the Keystation keyboards focus on the number of keys. Continue reading

Vocal processing and correction
The sound engineer, relying on the experience gained and the knowledge gained, uses various methods when processing vocals. The timbre, character, style, dynamics inherent in vocals have a direct impact…

...

Color Music - a light assistant for musical compositions
Color and music (light and music) settings are created for simultaneous playback of musical composition and lighting effects. The light effect on the listener may not be synchronous with respect…

...

Oboe
Oboe (from French hautbois, literally “tall tree”, English, German and Italian oboe) is a woodwind musical instrument of the soprano register of the symphony orchestra, which is a conical tube…

...

New music in modern society
Imagine for a moment that there is no music in the world ... Agree, it becomes somehow uncomfortable! After all, music is one of the important components of society, and…

...